Last Postchristmas

Design of poster © Tim Reuscher 2023.

Nun ist es zum letzten Mal (?) wieder so weit:

Vorweihnachtszeit ist postchristmas-Zeit. Am Samstag 02.12. wurde die Ausstellung “Last Postchristmas” im nachladen mit Lesungen aus dem dazugehörigen Zine eröffnet.

Zu sehen sind wie gewohnt Weihnachtsbäume nach Weihnachten schon in der Vorweihnachtszeit. Das Zine ist (während der Saison) im nachladen-Onlineshop erhältlich.

Außenansicht.
Ansicht 1.
Ansicht 2.
Ansicht 3.
Ansicht 4.
Das diesjährige Epizentrum: Der Spargel der kalten Jahreszeit.

Pickle Down Economics – Dill with it VI

Vom 11.11. bis 30.11.2023 zeigt Tim Reuscher im nachladen in der Sternstraße 17 die Gurkenkunst junger und jung gebliebener, lokaler und auswärtiger Kunstschaffender.

Neben meiner eigenen Teilnahme an der Ausstellung habe ich es mir wie immer nicht nehmen lassen, alle Werke zu dokumentieren. Die folgenden Fotos sind nach der Hängung der Werke in der Ausstellung sortiert, von links nach rechts (ungefähr).

Ausstellungsflyer.
Außenansicht.
Ansicht 1.
Ansicht 2.
Ansicht 3.
Ansicht 4.
Ansicht 5.
Camila Machado (1).
Camila Machado (2).
Wallace.
Biljana Tomic.
Marcel Kreuzer.
Bernd Spyra.
Intelligenzbolzen.
Katerina Nikoltsou.
Jot Vetter (1).
Jot Vetter (2).
Anna Ley.
Babyface Design, Mika Yamamo.
Dada Reinhardt (1+2).
Ferdinand Trenkel.
Rebekka Schmidt.
Laura Martin (1).
Laura Martin (2).
Andreas Czech.
Martin Armbruster.
Monmonpress (1).
Monmonpress (2).
Neele Bunjes.
Kai Cassuben.
Suchtdruck.
Tevi Cockburn.
Thomas Brown.
Julius Wagner.
Hans Braumüller.
All To Nah Jan.
marti_voila.

Seasons of postchristmas: The great tree hunt

Discarded Christmas trees in Wandsbek, Hamburg. Beginning of January 2023.

Along with the new year, more and more Christmas trees are appearing on the streets of Hamburg. At first they make their entrance alone, being dropped here and there, but soon they form assemblies or piles on the sidewalk near street corners and intersections, huddling together as if to find strength in numbers to avoid the unavoidable pickup by the waste collection crew.

There is an ebb and flow to this seasons of postchristmas: The city’s cleansing department arranges to pick up the trees on two scheduled dates after the usual end of christian Christmas festivities on the 6th of January. Even before this, the first lone trees can already be seen as early as New Years Day, as if eager to get out of the houses and appartments. Their numbers peak around the appointed collection dates, after which the trees all but disappear from the streets. The best trees, however, appear later, sometimes much later.

Unable to rely on strength in numbers, and slyly displaying their former owner’s trangsgressive behaviour of missing the scheduled dates for pickup, these rare specimen of bone dry latecomers can appear as far removed from Christmas as Easter, contrasting with a surrounding changed by the coming of spring and the distance from the holiday season. These are the prized, clearest expressions of postchristmas, which require persistence and sheer luck to find.

Postchristmas season has just begun.

Corona vs. Kultur in Hamburg

Lately I have been experimenting with rephotography, the precise reproduction of an earlier photo’s perspective to illustrate the effects of passing time. Often, historical photographs are used as the basic material, but of course you can use any photos, even your own.

Shown here are photos of the Morris column advertising “Kultur in Hamburg” in Moorweidenstraße, one taken during the first winter of Corona in early 2021, the other taken in late summer of 2022. They illustrate the effect that the pandemic had on cultural activities in the city.